Theory and Knowledge Based Content
Arts and crafts
The Arts and Crafts movement was an international movement in the decorative and fine arts that flourished in Europe and North America between 1880 and 1910, emerging in Japan in the 1920s. The main thing that arts and crafts stands for is traditional crafts that when using simple forms and mainly medieval, romantic or sometimes even folk styles of decoration. This type of movement had a large influence on the arts in Europe until it was replaced by modernism in 1930s. This movement was developed in the British Isles and after this it then spread fully across the British Empire and the rest of North America and Europe. It was mainly a collection of decorative arts.
Art Nouveau
Art nouveau is a decorative art that can also sometimes be known as architecture and also design that is prominent in Western Europe and the United States of America from around the 1890s until the beginning of the First World War. The design itself is characterised by intricate designs that use different flowing techniques and also curves that are based on their own natural forms. The artists that practised this form drew inspiration from both organic and geometric forms that involved evolving elegant designs that united flowing and natural forms. The movement itself was committed to abolishing the traditional hierarchy of the normal arts.
Constructivism
Constructivism was an imaginative and design rationality that began in Russia starting in 1919, during an era when the insurgency of 1917 had been united and the new Soviet government was building another comrade society. Through the 1920s constructivists created radical new engineering, visual depiction, film and photography and spearheaded outline styles for large scale manufacturing. Constructivists connected the conceptual with visual syntax with striking consistency over an extensive variety of configuration controls. Russian specialists took cubism to its legitimate decision, creating supremacism which was a theory that tried to free craftsmanship, configuration and design from reliance on conventional types of representation. Thee new visual grammar was designed to allow free combination of primitive shapes, which for strange new artistic and architectural worlds.
Futurism
The most important Italian avant-garde art movement of the 20th century was the Futurism movement which celebrated advanced technology. Its members wished to destroy all of the older forms of culture to demonstrate the beauty of the modern day art and despised all of the older forms of art. Most of this form of arts members where people who were interested in the Media and popular forms of technology. Whenever the end of the group eventually came it largely spend most of its time on embracing Fascism.
Dadaism
Dadaism was a type of masterful turmoil conceived out of revulsion for social, political and social estimations of the time. Dadaism grasped components of workmanship, music, verse, theatre, move furthermore governmental issues. Dada was not a style of craftsmanship it was increasingly a challenge development with a defiant statement. They attacked traditional artistic values with irrational attitudes and provoked conservative complacency with outrageous statement and actions. They also launched a full scale assault on the art world which they saw as part of the system. Dada questioned the value of all art and weather its existence was simply an indulgence of the bourgeoisie. Dada scrutinized the estimation of all craftsmanship and climate its presence was essentially a liberality of the bourgeoisie.
Bauhaus
Bauhaus was first founded in 1919 in the city of Weimar by a German architect who was called Walter Gropius. The main initial aim was the unification of the arts through craft. The school adopted the slogan “Art into Industry”. The Bauhaus combined elements of fine arts and design education. The curriculum offered a preliminary course that immersed the students in the study of materials, colour theory, and formal relationships in preparation for specialised studies. The school consists of many different studies such as cabinetmaking (which was among the most popular), textile workshops, metalworking, and typography. In 1925 the Bauhaus moved from Weimar to Dessau where Gropius designed a new building to house the school. The building contained many features that later became hallmarks of modernist architecture including steel-frame construction, a glass curtain wall and an asymmetrical along with an administrative space for maximum efficiently.
Anthony Maye 